WARREN ZEVON KNOCKING ON HEAVENS DOOR SERIES

With those poignant words floating over the scene, it is revealed that Denise is researching miracle cancer cures on her computer with tears swelling in her eyes as the scene and the song fade out. The song continues: “When you get up in the mornin’ and you see that crazy sun/Keep me in your heart for a while/ There’s a train leavin’ nightly called ‘When All is Said and Done’/Keep me in your heart for a while”. The scene concludes with Denise sitting in the dark, illuminated only by her computer screen with Daniel asleep in the background. “Keep Me in Your Heart” comprises Zevon’s “beautiful if inevitably maudlin farewell” (Hyden). His doctors gave him three months to live. He started work on it almost immediately after receiving the news that he had terminal cancer.

The song is off his last album, “The Wind”. The first lines of Zevon’ s weary and warm voice now bleed into resonance as he sings “Shadows are fallin’ and I’m runnin’ out of breath/Keep me in your heart for a while/ If I leave you it doesn’t mean I love you any less/Keep me in your heart for a while”.

Denise decisively retorts “Okay”, inferring that she is fully invested to make this a joint challenge. Suddenly, as the opening chords from “Keep Me in Your Heart” arise out of the ether, Daniel looks into Denise’s eyes and tells her that he “starts chemo again tomorrow”. As the two lay in bed, fondly replaying that days magnificent court victory, it is clear that for the first time, each have strong feelings for the other. Fox) embrace each other after first consummating their relationship. The scene is set as high powered lawyer Denise Bauer (Julie Bowen) and her former client turned love interest Daniel Post (Michael J.

WARREN ZEVON KNOCKING ON HEAVENS DOOR SERIES

Boston Legal (2006) – “Keep Me in Your Heart”įrom S: 2, E: 12 – The ABC comedy-drama series Boston Legal (2004-2008) capitalized upon the song’s genuine heartfelt emotion and sincere vulnerability long before it “became a go-to tearjerker for melodramatic TV dramas” (Hyman). The following examples illustrate a few choice instances where the music of Warren Zevon has been particularly effective in a television scene since his premature death. The music of Warren Zevon simply has a distinctive feel that is conducive to the reception of feeling with its ability to impress upon a moment. Above all, Zevon was honest and didn’t hesitate to capitalize on the emotion that his music evoked. Zevon’s work will always remain relevant because behind all of his masterful musical phrasing and vibrant lyrics, “his songs recognize something true and deep inside your heart that you don’t feel comfortable sharing with most people” (Hyden). There isn’t anybody like Warren Zevon nowâ€Š–â€Šnobody so recklessly, and cursedly, messy” (Hyden). folk-rock band Dawes, and a committed Zevon acolyte ” (Hyden) puts it, “He sounded uncertain. I was a folk singer who accidentally had one big hit”.Īs Taylor Goldsmith, “the 33-year-old frontman of the L.A. As he stated in a 2002 Rolling Stone interview shortly before succumbing to cancer at the age of 56, “I don’t remember stardom with any longing.

Zevon was quick to sabotage his greatest chances at superstardom, always more comfortable along the borders of the spotlight rather than in the center of it. Best known for his 1978 soulful, funky anthem “Werewolves of London”, he turned in a brilliant yet tragic career that spanned from the late 60s until his death in 2003. Sadly, the greatness of the singer-songwriter was never truly recognized in his own time, mainly of his own doing. Warren Zevon was an unmistakable talent who possessed an indefinable original genius.

Warren zevon knocking on heavens door